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ON THE BBC’S PRINCE CASPIAN AND DAWN TREADER 7 September 2008

Posted by Renette in 4 Prince Caspian, 5 The Voyage of the Dawn Treader, British Broadcasting Corporation.
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Like I mentioned in my previous entry, I’ve had the complete VCD collection of the BBC adaptation of THE CHRONICLES OF NARNIA for 3 years now but I have only attempted to watch it once. I gave up after a few minutes because I was creeped out by the talking beasts – which were actually people wearing animal costumes, until friends from The Lion’s Callforum mentioned how they liked it, especially The Silver Chair. So I dug out my old VCD’s and watched SC, and liked it a lot.

Tonight, having nothing better to do (and not having cable connection at the moment for some reason), I thought I’d watch PRINCE CASPIAN and THE VOYAGE OF THE DAWN TREADER, which was meshed to one movie. My major problem is that I can’t find the last disc, so I couldn’t finish watching it. But still, here are my comments:

COMMENTS ON THE CAST

There’s something about Richard Dempsey’s portrayal as PETER PEVENSIE that I really liked. He was younger than I thought Peter would be from the book, but he has a certain kingliness and nobility about him that I could really imagine him as the High King.

Sophie Cook as SUSAN PEVENSIE had only a very short role in the film, and I don’t remember much about it.

Jonathan Scott as EDMUND PEVENSIE was okay, though he looked nearly Peter’s age.

I didn’t like Sophie Wilcox as LUCY PEVENSIE that much, because she didn’t quite capture the innocence and pureness of heart that Georgie Henley was able to portray in the Walt Disney-Walden Media version.

I loved both the young PRINCE CASPIAN, played by Jean Marc Perret, and the older KING CASPIAN, played by Samuel West. First, because they got the age right. When Caspian became a king, he was only a boy, not a 27 year old man. Second, because they got his hair right. Caspian had golden curls, not raven black wavy hair. Oh well. Plus, I love how the older Caspian resembled the younger Caspian.

As I mentioned before, David Twaithes as EUSTACE SCRUBB captured the whining, irritating quality of the character.

For the minor characters, I’ve got to say I also loved MIRAZ (Robert Lang), CORIAKIN (Preston Lockwood) and best of all, the HAG (which I just found out was played by Barbara Kellerman, who also played the White Witch and the Lady of the Green Kirtle).

COMMENTS ON THE SCRIPT

Again, I must say I’m really impressed with how many direct quotes they incorporated in the dialogue. I guess the main difference is that they combined PC and VDT into pretty much one single story. As I said before, I can’t find the last CD so I don’t know how the story ends, but they thought of a pretty good way to do it. When the Pevensies get back to Narnia after the end of PC, instead of everyone going to school, Peter is going to Professor Kirke’s, Susan to the USA (uh, in a train?) and Ed and Lucy to the house of their cousin Eustace Scrubb. Of course, this leads straight to the story of VDT.

I think though that if you watch this film without reading the book, you’d be hard-pressed to understand the back-story of the Telmarines and the battle.

OTHER COMMENTS

Uh, I thought it was weird for Aslan, Susan and Lucy to watch the second Battle of Beruna rather nonchalantly from the comforts of a tall hill. And I thought the dryads (spirits of the trees) were way too creepy and ghost-like.

I sort of wished I’ve seen the BBC adaptation of The Chronicles of Narnia when I was younger. I’m sure I would have enjoyed it more, but as it is, I still love it.

PRACTICAL PEOPLE IN NARNIA 21 August 2008

Posted by Renette in 1 The Magician's Nephew, 3 The Horse and His Boy, 4 Prince Caspian, 5 The Voyage of the Dawn Treader, Sons of Adam and Daughters of Eve, Talking Beasts.
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In The Chronicles of Narnia, a total of seven people were described as being practical, and three of them were called practical in a rather negative way.

JADIS

The children were now afraid that Jadis would have something to say to them about what had happened in the wood. As it turned out, however, she never mentioned it either then or afterwards. I think (and Digory thinks too) that her mind was of a sort which cannot remember that quiet place at all, and however often you took her there and however long you left her there, she would still know nothing about it. Now that she was left alone with the children, she took no notice of either of them. And that was like her too. In Charn she had taken no notice of Polly (till the very end) because Digory was the one she wanted to make use of. Now that she had Uncle Andrew, she took no notice of Digory. I expect most witches are like that. They are not interested in things or people unless they can use them; they are terribly practical. So there was silence in the room for a minute or two. But you could tell by the way Jadis tapped her foot on the floor that she was growing impatient. – from Chapter 6, “The Beginning of Uncle Andrew’s Troubles,” The Magician’s Nephew

From this quote about Jadis, being practical means only paying attention to someone if you wanted to use the person in one way or another. Jadis didn’t pay attention to Polly because she was using Digory. Later on, she didn’t pay attention to Digory either because she was using Uncle Andrew. She didn’t waste her time in noticing or paying attention to people who didn’t suit her purposes.

UNCLE ANDREW

We must now go back a bit and explain what the whole scene had looked like from Uncle Andrew’s point of view. It had not made at all the same impression on him as on the Cabby and the children. For what you see and hear depends a good deal on where you are standing: it also depends on what sort of person you are.

Ever since the animals had first appeared, Uncle Andrew had been shrinking further and further back into the thicket. He watched them very hard of course; but he wasn’t really interested in seeing what they were doing, only in seeing whether they were going to make a rush at him. Like the Witch, he was dreadfully practical. He simply didn’t notice that Aslan was choosing one pair out of every kind of beasts. All he saw, or thought he saw, was a lot of dangerous wild animals walking vaguely about. And he kept on wondering why the other animals didn’t run away from the big Lion. – from Chapter 9, “The Founding of Narnia,” The Magician’s Nephew

From this quote about Uncle Andrew, being practical means only paying attention to something that involves yourself and nothing more. Uncle Andrew missed the point of the entire creation (or “founding”) of Narnia simply because he was only concerned that that the animals wouldn’t attack him. He didn’t waste his time in noticing or paying attention to things that didn’t concern him directly.

ARSHEESH

Sometimes if Arsheesh was there Shasta would say, “O my Father, what is there beyond that hill?” And then if the fisherman was in a bad temper he would box Shasta’s ears and tell him to attend to his work. Or if he was in a peaceable mood he would say, “O my son, do not allow your mind to be distracted by idle questions. For one of the poets has said, `Application to business is the root of prosperity, but those who ask questions that do not concern them are steering the ship of folly towards the rock of indigence’.”

Shasta thought that beyond the hill there must be some delightful secret which his father wished to hide from him. In reality, however, the fisherman talked like this because he didn’t know what lay to the North. Neither did he care. He had a very practical mind. – from Chapter 1, “How Shasta Set Out on His Travels,” The Horse and His Boy

From this quote about Arsheesh, being practical means only paying attention to something that you already know about. He never concerned himself with the lands beyond, like the free North. He didn’t waste his time in noticing or paying attention to things that he wasn’t familar with.

Being practical isn’t all that bad though. In fact, there were four others who were mentioned as being practical, but not in the way that Jadis, Uncle Andrew and Arsheesh were.

DUFFLE AND THE STAG

Presently, however, two more practical people arrived in the little wood. One was a Red Dwarf whose name appeared to be Duffle. The other was a stag, a beautiful lordly creature with wide liquid eyes, dappled flanks and legs so thin and graceful that they looked as if you could break them with two fingers.

“Lion alive!” roared the Dwarf as soon as he had heard the news. “And if that’s so, why are we all standing still, chattering? Enemies at Anvard! News must be sent to Cair Paravel at once. The army must be called out. Narnia must go to the aid of King Lune.”

“Ah!” said the Hedgehog. “But you won’t find the High King at the Cair. He’s away to the North trouncing those giants. And talking of giants, neighbours, that puts me in mind -” 

“Who’ll take our message?” interrupted the Dwarf. “Anyone here got more speed than me?”

“I’ve got speed,” said the Stag. “What’s my message? How many Calormenes?”

“Two hundred: under Prince Rabadash. And -” But the Stag was already away – all four legs off the ground at once, and in a moment its white stern had disappeared among the remoter trees. - from Chapter 12, “Shasta in Narnia,” The Horse and His Boy

From this quote, being practical means doing what must be done. Upon learning of the coming army of Prince Rabadash, the other creatures didn’t exactly jump into action, but dawdled around chatting about it. Only Duffle, who took control of the situation, and the stag, who rushed to inform the High King, did their part in averting the danger.

SUSAN

“That’s the trouble of it,” said Trumpkin, “when most of the beasts have gone enemy and gone dumb, but there are still some of the other kind left. You never know, and you daren’t wait to see.” …

Lucy shuddered and nodded. When they had sat down she said: “Such a horrible idea has come into my head, Su.”  

“What’s that?”

“Wouldn’t it be dreadful if some day, in our own world, at home, men started going wild inside, like the animals here, and still looked like men, so that you’d never know which were which?”

 ”We’ve got enough to bother about here and now in Narnia,” said the practical Susan, “without imagining things like that.” – from Chapter 9, “What Lucy Saw,” Prince Caspian

From this quote, being practical means focusing on the problem on hand. Susan didn’t want to worry about ”imaginary” things – she only wanted to deal with those that are ”here and now.” Perhaps that became her problem later on – when she got back to England, she only wanted to deal with the “here and now” and convinced herself that Narnia was only imaginary.

EUSTACE

“Why is it called Aslan’s table?” asked Lucy presently.

“It is set here by his bidding,” said the girl, “for those who come so far. Some call this island the World’s End, for though you can sail further, this is the beginning of the end.”

“But how does the food keep?” asked the practical Eustace.

“It is eaten, and renewed every day,” said the girl. “This you will see.” – from Chapter 13, “The Three Sleepers,” The Voyage of the Dawn Treader

From this quote, being practical means asking questions about things that don’t seem to add up logically. Eustace never lost this trait until The Last Battle, which adds charm to his character.

There is a positive and a negative side to being practical. As long as we make sure we’re not like Jadis, Uncle Andrew or Arsheesh, then being practical should be okay.

DOUBLE LUCY QUOTES 19 August 2008

Posted by Renette in 2 The Lion the Witch and the Wardrobe, 5 The Voyage of the Dawn Treader, Sons of Adam and Daughters of Eve.
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I was listening to the audiobook of The Lion, the Witch and the Wardrobe today, and noticed that Lucy had two double quotes in LWW – meaning, she said a word twice (I didn’t count quotes like “Aslan, Aslan”). I also remember one double quote in The Voyage of the Dawn Treader, and since I have nothing better to do, I’m posting them here.

“I don’t care what you think, and I don’t care what you say. You can tell the Professor or you can write to Mother or you can do anything you like. I know I’ve met a Faun in there and – I wish I’d stayed there and you are all beasts, beasts.” (LWW, Chapter 5)

“Oh, how can they?” said Lucy, tears streaming down her cheeks. “The brutes, the brutes!” for now that the first shock was over the shorn face of Aslan looked to her braver, and more beautiful, and more patient than ever. (LWW, Chapter 14)

“Oh, the funnies, the funnies,” cried Lucy, bursting into laughter. “Did you make them like that?” (VDT, Chapter 11)

I have no idea if there are any more double quotes from Lucy, but I’ll be on the lookout from now on. In case you come across one, please let me know so that I can add it to my list.

LISTENING TO NARNIA (Part 2) 25 July 2008

Posted by Renette in 5 The Voyage of the Dawn Treader, 6 The Silver Chair, 7 The Last Battle, HarperCollins.
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As mentioned in my previous entry, I recently bought The Chronicles of Narnia Unabridged Boxed Audiobook Set of HarperCollins for my birthday through Amazon.com. It’s been over a month since I first started listening to it (while driving alone – which I don’t really do that often, I usually have either my brother or boyfriend with me), and I’m now at the last CD of the last book.

Since I’ve already given my comments on the first four audiobooks, here are my comments on the last three.

The Voyage of the Dawn Treader (narrated by Derek Jacobi)

I have to admit, VDT is my second least favorite of the Narnia books. One reason is that I never really warmed up to the character of Eustace Scrubb. But Derek Jacobi did an amazing job with him. Pre-dragon Eustace was lofty and annoying, but later became actually… likeable. I particularly loved how he read what dragon Eustace was trying to write in the sand and ended with an exasperated “Oh, bother.” I actually had to double check my book to see if it was really there. It was, but I never noticed it before until Derek Jacobi brought it to life. I didn’t really care for his Lucy voice at the beginning, but it grew on me. I actually cried a bit towards the ending of VDT, when Lucy told Aslan, “It isn’t Narnia, you know… It’s you. We shan’t meet you there. And how can we live, never meeting you?”

The Silver Chair (narrated by Jeremy Northam)

I was worried before listening to this because as I have mentioned before, SC is my favorite of the Narnia books, mainly because of its theme (remembering and following the signs) and its main character, Puddleglum the Marshwiggle. Although Puddleglum’s voice was not how I imagined it to be, and the Lady of the Green Kirtle did not trill her R’s as much as I thought she should have, it was nevertheless very well done. The banter between Jill Pole and Eustace Scrubb was always lively.

The Last Battle (narrated by Patrick Stewart)

I mentioned in my previous entry that my favorite audiobook was The Magician’s Nephew. After the first chapter of hearing Professor X (Xavier) – er, I mean, Patrick Stewart – reading LB, I knew the people from HarperCollins saved the best for last. Patrick Stewart was amazing. There were particular moments in his reading that really stuck to my mind, such as when the Talking Dogs barked: “Welcome! Welcome! We’ll help, we’ll help, help, help. Show us how to help, show us how, how. How-how-how?” I also loved his voice for Puzzle and Shift and Poggin the Dwarf. He was able to distinguish each voice and give it a character of its own, so you always knew who was talking.

After listening to 30+ hours worth of reading, all I can say is that I can’t wait to start listening all over again!

FOLLOWING THE VOYAGE 15 July 2008

Posted by Renette in 5 The Voyage of the Dawn Treader.
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I have just finished listening to the audiobook of THE VOYAGE OF THE DAWN TREADER, which wasn’t my favorite of the Narnia series. However, I have now come to appreciate it more, especially since I’m excited about this being made into the next Disney-Walden Media movie.

The story revolves around the quest to find the seven Telmarine lords who sailed east during the reign of Miraz, which was part of his ploy to remove all who might take Caspian’s side. I could never remember all the islands they visited in the story, and which of the lords they found in each island, so I’m writing this as my personal reference on the voyage of the Dawn Treader. I’m not including the things that happened in between islands (such as fighting the sea serpent and the sighting of the merpeople). I’m also not including the islands they only passed by (such as Burnt Island) and Galma.

1. THE LONE ISLANDS

Which lord did they find in this island?
Lord Bern

What was the lord’s story?
Lord Bern “loved a girl of the islands, and felt [he] had enough of the sea.” He “married and have lived [in the Lone Islands] ever since.”

What happened during the visit to this island?
Caspian, Edmund, Lucy, Eustace and Reepicheep were captured slave traders. Caspian was instantly bought by the Lord Bern, since the boy reminded him of King Caspian the Ninth, Caspian’s father. Upon learning who Caspian was, Bern helped him dispose of Governor Gumpas and was installed as Duke of Lone Islands to replace the governor. Afterwards, they saved Edmund, Lucy, Eustace and Reepicheep and outlawed the slave trade in the Lone Islands.

2. THE DRAGON ISLAND

Which lord did they find in this island?
Lord Octesian

What was the lord’s story?
We don’t really know what happened to the Lord Octesian. Since the dragon that died was wearing Octesian’s arm ring, the others “wondered whether the other dragon had killed the Lord Octesian several years ago or whether Octesian himself had been the old dragon.”

What happened during the visit to this island?
The bratty Eustace became a dragon when he slept “on a dragon’s hoard with greedy, dragonish thoughts in his heart.” During this trying period of his life, his attitude began to improve. In the end, he was un-dragoned by Aslan himself.

3. THE DEATHWATER ISLAND – initially called “Goldwater Island”

Which lord did they find in this island?
Lord Restimar. They only found out his identity when they came to the Island of the Voices, where Coriakin and the Dufflepuds live, because the magician was able to tell them which were the lords that came there years ago.

What was the lord’s story?
As Edmund surmised, the Lord Restimar was there on a hot day, “undressed on top of the cliff … then he dived” and became a gold statue.

What happened during the visit to this island?
The company realized that the waters in this island can change anything into gold. It was an enchanted island because Caspian and Edmund nearly started fighting because of this, until everyone saw Aslan walking across the hillside. After leaving, they could barely remember what happened there.

4. CORIAKIN’S ISLAND – “the island of the voices”

Which lord did they find in this island?
none

What was the lord’s story?
n/a

What happened during the visit to this island?
They met the invisible Duffers (later called the Dufflepuds, which was a combination of Duffers and Monopods), who asked Lucy to recite the spell to remove their invisibility. After doing so, Aslan appeared and talked to Lucy. They dined with the magician, Coriakin (a star under discipline), who made a map of their travels based on the observation of Lord Drinian.

5. THE DARK ISLAND – “the island where dreams come true”

Which lord did they find in this island?
Lord Rhoop

What was the lord’s story?
The Lord Rhoop went to this island thinking that this is where everything he wanted would materialize. To his horror, dreams – not daydreams – did come true in this island.

What happened during the visit to this island?
They saved the broken Lord Rhoop, and hastened to leave the island, much to the dismay of the valiant Reepicheep who couldn’t understand the humans’ panic and fear of facing their dreams. They were finally guided and helped by an albatross, who was actually Aslan in another form.

6. RAMANDU’S ISLAND – “the world’s end”

Which lords did they find in this island?
Lord Revilian, Lord Argoz and Lord Mavramorn

What was the lords’ story?
The three lords quarreled because one wanted to stay and retire in this island, another wanted to go back to Narnia, while the other wanted to continue on sailing east. During the fight, one of them went for the Knife of Stone (which was used by the White Witch before to kill Aslan) and a deep enchanted sleep came over them.

What happened during the visit to this island?
They met a star in retirement, Ramandu, and his daughter (who would later marry Caspian). They found out that they were now at the beginning of the world’s end, and that if they sailed further on, they would get to Aslan’s country where they would have to leave Reepicheep in order to lift the enchantment. The Dawn Treader sailed on east, leaving behind a sailor named Pittencream in Ramandu’s Island.

7. THE ISLAND BEYOND- “the way to Aslan’s country”

Which lord did they find in this island?
none

What was the lord’s story?
n/a

What happened during the visit to this island?
Edmund, Lucy and Eustace met Aslan in the form of a Lamb, who fed them roasted fish and told them that the two Pevensies would never return to Narnia. This portion contained one of the most beautiful passages in The Chronicles of Narnia, which I am quoting here:

“It isn’t Narnia, you know,” sobbed Lucy. “It’s you. We shan’t meet you there. And how can we live, never meeting you?”

“But you shall meet me, dear one,” said Aslan.

“Are are you there too, Sir?” said Edmund.

“I am,” said Aslan. “But there I have another name. You must learn to know me by that name. This was the very reason why you were brought to Narnia, that by knowing me here for a little, you may know me better there.”

ON THE BBC’s THE SILVER CHAIR 5 July 2008

Posted by Renette in 5 The Voyage of the Dawn Treader, 6 The Silver Chair, British Broadcasting Corporation.
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I’ve had the complete VCD collection of the BBC adaptation of THE CHRONICLES OF NARNIA for 3 years now (someone gave it to me for Christmas during our department’s exchange gift) but I have only attempted to watch it once. I started with THE LION, THE WITCH AND THE WARDROBE, but I had to give up after only a few minutes. I was instantly creeped out by the talking beasts – which were actually people wearing animal costumes, quite unlike the realistic computer-generated animations of the Disney-Walden Media version. Of course, this is quite understandable, since the technology twenty years ago cannot be compared to the technology available today. From what I hear, the BBC adaptation was actually the best in its time. Anyway, I’ve always planned on getting down to the series and watching the entire thing just for the sake of saying that I’ve seen it, but I never got around to it until tonight.

Following the suggestion of my friends at the TLC forum (TLC stands for THE LION’S CALL, one of my favorite websites), I now started with THE SILVER CHAIR, which they said was the best (being released last in the series – that is, in 1990). Now, The Silver Chair is my favorite book in the Chronicles, and PUDDLEGLUM is my favorite character in the entire world, so I was really curious to see it. Besides, the actor playing Puddleglum (Tom Baker) was getting rave reviews in all the Narnia forums I’ve been.

So now that I’ve seen it, what can I say? Minus the distracting special effects, the dreary costumes (especially of the Underlanders) and the scary-looking puppet Aslan, I must say I really liked it!

COMMENTS ON THE CAST

David Thwaites as EUSTACE SCRUBB looked too young and was too short, and he was not irritating enough. Even during his post-dragon period, Eustace still had his moments. But I could live with that, the actor was good enough.

Camilla Power as JILL POLE was amazing. She was pretty and smart and even sassy at times. She was everything I hoped Jill would be.

Tom Baker as PUDDLEGLUM was fantastic! I’ve always imagined Puddleglum to be very, very thin and tall, but what was important is that he captured the Puddleglumy spirit. He was rather funny without trying, his facial expressions were properly gloomy, and he delivered my favorite lines with all the ghastly cheerfulness of a marshwiggle.

Barbara Kellerman as THE LADY OF THE GREEN KIRTLE was a bit too theatrical and overly dramatic for my taste, which is why she couldn’t quite pull of the eerily calm demeanor of the Emerald Witch. But she did trill her R’s nicely.

Richard Henders as PRINCE RILIAN didn’t quite capture the silly spirit from the book during his enchantment, and he was quite theatrical as well especially in the silver chair scene. I also found him weird-looking with a beard. He reminds me of a cartoon character but I can’t remember who.

Ronald Pickup as the voice of ASLAN was a bit too sleepy and slow and unimpressive, but that may be because I’m comparing him to Liam Neeson’s version.

Warwick Davis (who played NIKABRIK in Disney-Walden’s version of PRINCE CASPIAN) as GLIMFEATHER got all the tu-who’s right in my opinion.

Big Mick as the hard-of-hearing TRUMPKIN was hilarious, although he had only a short role.

COMMENTS ON THE SCRIPT

I must say that I’m very impressed at how faithful this adaptation was to the book, and how closely the plot and script followed the text. I also particularly like the numerous direct quotes, which the actors were thankfully able to say without sounding weird or unnatural. I’d say the following were relatively the biggest changes, which were all quite minor and understandable:

1) Rilian was wearing a mask when they met him in the Underworld. He had to have a mask so that the viewers won’t connect the dots too soon since they already showed what the prince looks like when Aslan was giving the signs to Jill.

2) The Lady of the Green Kirtle did not use a mandolin-like instrument which she thrummed to complete her enchantment. Instead, there was this weird greenish spray from her fingers.

3) The side-story of the Land of Bism wasn’t dealt with, which was okay because it could deflect from the plot.

4) The children called each other a couple of times by their first names (Eustace and Jill). In the book, they always used their last names (Scrubb and Pole) except for the part where they said goodbye, thinking that they were going to their deaths.

MEMORABLE QUOTES

The following quote was not said by Puddleglum in its entirety in the movie, but since this is my favorite quote in the book, I’m putting it here:

“One word. All you’ve been saying is quite right, I shouldn’t wonder. I’m a chap who always liked to know the worst and then put the best face I can on it. So I won’t deny any of what you said. But there’s one thing more to be said, even so. Suppose we have only dreamed, or made up, all those things – trees and grass and sun and moon and stars and Aslan himself. Suppose we have. Then all I can say is that, in that case, the made-up things seem a good deal more important than the real ones. Suppose this black pit of a kingdom of yours is the only world. Well, it strikes me as a pretty poor one. And that’s a funny thing, when you come to think of it. We’re just babies making up a game, if you’re right. But four babies playing a game can make a play-world which licks your real world hollow. That’s why I’m going to stand by the play-world. I’m on Aslan’s side even if there isn’t any Aslan to lead it. I’m going to live as like a Narnian as I can even if there isn’t any Narnia. So, thanking you kindly for our supper, if these two gentlemen and the young lady are ready, we’re leaving your court at once and setting out in the dark to spend our lives looking for overland. Not that our lives will be very long, I should think; but that’s a small loss if the world’s as dull a place as you say.”

After a speech like that, I’ll have to agree with Prince Rilian: “The blessing of Aslan upon this honest marshwiggle!”

In the book, the following quote was actually given by Aslan to Edmund and Lucy towards the end of THE VOYAGE OF THE DAWN TREADER, when Lucy told him that it was him they miss when they return to our world. However, since Aslan said it towards the end of BBC’s version of THE SILVER CHAIR, I’m putting it here as well:

“There I have another name. You must learn to know me by that name. This was the very reason why you were brought to Narnia, that by knowing me here for a little, you may know me better there.”

If you don’t know what Aslan’s other name is, here’s a link to an insightful essay from The Lion’s Call (by Petraverd) which discusses this point.

OTHER COMMENTS

I don’t even want to begin talking about the costumes of the Underworld gnomes, which reminds me of the Michelin character that looks like an obese mummy. I’m sure that with their limited budget, that was all they could come up with.

After seeing The Silver Chair, I’ve now decided to watch all the others in the series. It’s funny to be watching the BBC version twenty years after they were made, but I now think that this is a must-see for all hardcore Narnia fans. So thanks BBC for bringing Narnia to life!