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A Recurring Theme 2 September 2009

Posted by Renette in 2 The Lion the Witch and the Wardrobe, 7 The Last Battle, Sons of Adam and Daughters of Eve.
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I wish I could take credit for noticing this recurring theme, but all credit goes to Paul F. Ford, author of Companion to Narnia. He noticed that a similar theme was used when Aslan was first introduced and when Aslan was last mentioned in the Chronicles of Narnia. (I also wish I could take credit for this lovely artwork of Aslan and Lucy, but all credit goes to Robert Bucknell.)

FIRST MENTION OF ASLAN

The first book written in “The Chronicles of Narnia” is The Lion, the Witch and the Wardrobe. Here is a portion from Chapter 7 (A Day with the Beavers) regarding the first ever mention of Aslan’s name.

And now a very curious thing happened. None of the children knew who Aslan was any more than you do; but the moment the Beaver had spoken these words everyone felt quite different. Perhaps it has sometimes happened to you in a dream that someone says something which you don’t understand but in the dream it feels as if it had some enormous meaning – either a terrifying one which turns the whole dream into a nightmare or else a lovely meaning too lovely to put into words, which makes the dream so beautiful that you remember it all your life and are always wishing you could get into that dream again. It was like that now. At the name of Aslan each one of the children felt something jump in its inside. Edmund felt a sensation of mysterious horror. Peter felt suddenly brave and adventurous. Susan felt as if some delicious smell or some delightful strain of music had just floated by her. And Lucy got the feeling you have when you wake up in the morning and realize that it is the beginning of the holidays or the beginning of summer.

At the mention of Aslan’s name, there were two things that Lucy felt – the feeling you have when you wake up in the morning, and the feeling you have when you realize that it is the beginning of the holidays.

LAST MENTION OF ASLAN

Now here is a portion from Chapter 15 (Further Up and Further In) of The Last Battle, the last book of “The Chronicles of Narnia,” which contains the last ever mention of Aslan’s name. Curiously, the last person who talks to him is Lucy.

Then Aslan turned to them and said: “You do not yet look so happy as I mean you to be.”

Lucy said, “We’re so afraid of being sent away, Aslan. And you have sent us back into our own world so often.”

“No fear of that,” said Aslan. “Have you not guessed?”

Their hearts leaped and a wild hope rose within them.

“There was a real railway accident,” said Aslan softly. “Your father and mother and all of you are – as you used to call it in the Shadowlands – dead. The term is over: the holidays have begun. The dream is ended: this is the morning.”

The two themes mentioned with respect to Aslan is repeated – the feeling you have when you wake up in the morning, and the feeling you have when you realize that it is the beginning of the holidays. Now he says, “The term is over: the holidays have begun. The dream is ended: this is the morning.”

I don’t know if this was intentional in the part of C. S. Lewis or not, but this just shows what a genius he was. And his description of the New Narnia makes me yearn even more to see the real Aslan someday.

LETTERS TO POLLY (Part 1) 28 October 2008

Posted by Renette in 1 The Magician's Nephew, 2 The Lion the Witch and the Wardrobe, By Terb, Sons of Adam and Daughters of Eve.
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How did Professor Kirke feel when he first heard that Lucy has been to Narnia? Here’s a glimpse through his letter to his old friend. (By the way, this is my first attempt at fan fiction of any kind, so any suggestions will be most welcome.)

My dear friend Polly,

I hope this letter finds you in the best of health. I must smile a bit while writing your name because indeed, Polly is a funny name. I know you are thinking that it is not half so funny as Digory, and if you were here, we could go on about it, like we did as children.

I’m writing to share with you some news that will surprise you for sure. A month ago, I received a telegram from Mrs. Helen Pevensie of Finchley – I do not know if you remember her, she was a distant relation of my Aunt Letty. It is the usual story – the father is fighting in the war, the air raids are going on about London, and the mother knows their house in the middle of the city is not safe, especially for her children. Mrs. Pevensie cannot leave the house for fear that the dreaded telegram from the War Office should come one day and not find her there, but she implored me to take in her four children since she knew the country is much safer than the city. I remember how you adamantly told me once that London is not a beastly hole, but indeed it is, especially during these trying times.

I had no qualms in agreeing to her request, since it can get lonely out here with only my trusty housekeeper, Mrs. Macready, and the handful of servants to keep me company. You know that even I am a bit afraid of Mrs. Macready, so I thought it would be interesting to suddenly have four bustling children running around the country house.

More than a week ago, the four Pevensie children arrived, and such well-behaved children they were, except for one who is a bit of a rascal. The oldest boy is named Peter, and you’d think he was older than he really was. I reckon it’s because he is the oldest among the four, and so is taking on the role of the absent father for his siblings. The next one is named Susan, quite a lovely young lady and very mature for her age. She reminds me a lot of her mother, Mrs. Pevensie. The third is the rascal I mentioned earlier, who is named Edmund. I will admit something to you and trust that you will not repeat this to anyone else, but this boy Edmund reminds me a lot of myself when I was his age. The youngest is a dear little girl named Lucy, who is a favorite among the servants for her sweet smile and coaxing manners.

I noticed that they made sure never to disturb me – probably one of the rules of Mrs. Macready that I do not know about – except one morning when Peter and Susan knocked timidly at my study door. I hastened to find chairs for them and told them that I was at their disposal, and they begun to share such wonderful news. The youngest child, Lucy, has entered Narnia through the magical wardrobe in my country house! I’m sure you remember that the wardrobe was made from the apple tree I planted years ago, from the apple that Aslan himself handed to me for my sick mother.

While they were telling their story, I could not move out of surprise and a sudden flooding of memories – the Wood between the Worlds, the creation of Narnia, the cabby and the horse Strawberry whom we accidentally brought along – or should we call them King Frank and Fledge now?

Here comes the sad news however. Narnia is under a spell by a powerful enchantress whom Narnians refer to as the White Witch. She is styling herself as the Queen of Narnia, and I wonder whatever happened to King Frank and Queen Helen (remember how she first appeared in Narnia with soapsuds up to her elbows?). We have no idea how Narnian time has passed since we’ve been there last, so this White Witch could be anybody. But I have a sinking feeling that it could be none other than Jadis, the Queen of Charn, whom I woke up from her magical slumber. It is an act I have since regretted much – even though both you and Aslan have graciously forgiven me – but never more so than now.

The older children are afraid that their sister is going mad, because they found nothing special or magical about the wardrobe when they went to investigate. I was surprised that they never even considered the possibility that Lucy is telling the truth, even though it is the most logical explanation. What do they teach at schools these days?

I will write to you again when I have more news. I have a feeling that this is not the end of the children’s adventures in Narnia.

Ever your friend,

Digory Kirke

PRACTICAL PEOPLE IN NARNIA 21 August 2008

Posted by Renette in 1 The Magician's Nephew, 3 The Horse and His Boy, 4 Prince Caspian, 5 The Voyage of the Dawn Treader, Sons of Adam and Daughters of Eve, Talking Beasts.
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In The Chronicles of Narnia, a total of seven people were described as being practical, and three of them were called practical in a rather negative way.

JADIS

The children were now afraid that Jadis would have something to say to them about what had happened in the wood. As it turned out, however, she never mentioned it either then or afterwards. I think (and Digory thinks too) that her mind was of a sort which cannot remember that quiet place at all, and however often you took her there and however long you left her there, she would still know nothing about it. Now that she was left alone with the children, she took no notice of either of them. And that was like her too. In Charn she had taken no notice of Polly (till the very end) because Digory was the one she wanted to make use of. Now that she had Uncle Andrew, she took no notice of Digory. I expect most witches are like that. They are not interested in things or people unless they can use them; they are terribly practical. So there was silence in the room for a minute or two. But you could tell by the way Jadis tapped her foot on the floor that she was growing impatient. – from Chapter 6, “The Beginning of Uncle Andrew’s Troubles,” The Magician’s Nephew

From this quote about Jadis, being practical means only paying attention to someone if you wanted to use the person in one way or another. Jadis didn’t pay attention to Polly because she was using Digory. Later on, she didn’t pay attention to Digory either because she was using Uncle Andrew. She didn’t waste her time in noticing or paying attention to people who didn’t suit her purposes.

UNCLE ANDREW

We must now go back a bit and explain what the whole scene had looked like from Uncle Andrew’s point of view. It had not made at all the same impression on him as on the Cabby and the children. For what you see and hear depends a good deal on where you are standing: it also depends on what sort of person you are.

Ever since the animals had first appeared, Uncle Andrew had been shrinking further and further back into the thicket. He watched them very hard of course; but he wasn’t really interested in seeing what they were doing, only in seeing whether they were going to make a rush at him. Like the Witch, he was dreadfully practical. He simply didn’t notice that Aslan was choosing one pair out of every kind of beasts. All he saw, or thought he saw, was a lot of dangerous wild animals walking vaguely about. And he kept on wondering why the other animals didn’t run away from the big Lion. – from Chapter 9, “The Founding of Narnia,” The Magician’s Nephew

From this quote about Uncle Andrew, being practical means only paying attention to something that involves yourself and nothing more. Uncle Andrew missed the point of the entire creation (or “founding”) of Narnia simply because he was only concerned that that the animals wouldn’t attack him. He didn’t waste his time in noticing or paying attention to things that didn’t concern him directly.

ARSHEESH

Sometimes if Arsheesh was there Shasta would say, “O my Father, what is there beyond that hill?” And then if the fisherman was in a bad temper he would box Shasta’s ears and tell him to attend to his work. Or if he was in a peaceable mood he would say, “O my son, do not allow your mind to be distracted by idle questions. For one of the poets has said, `Application to business is the root of prosperity, but those who ask questions that do not concern them are steering the ship of folly towards the rock of indigence’.”

Shasta thought that beyond the hill there must be some delightful secret which his father wished to hide from him. In reality, however, the fisherman talked like this because he didn’t know what lay to the North. Neither did he care. He had a very practical mind. – from Chapter 1, “How Shasta Set Out on His Travels,” The Horse and His Boy

From this quote about Arsheesh, being practical means only paying attention to something that you already know about. He never concerned himself with the lands beyond, like the free North. He didn’t waste his time in noticing or paying attention to things that he wasn’t familar with.

Being practical isn’t all that bad though. In fact, there were four others who were mentioned as being practical, but not in the way that Jadis, Uncle Andrew and Arsheesh were.

DUFFLE AND THE STAG

Presently, however, two more practical people arrived in the little wood. One was a Red Dwarf whose name appeared to be Duffle. The other was a stag, a beautiful lordly creature with wide liquid eyes, dappled flanks and legs so thin and graceful that they looked as if you could break them with two fingers.

“Lion alive!” roared the Dwarf as soon as he had heard the news. “And if that’s so, why are we all standing still, chattering? Enemies at Anvard! News must be sent to Cair Paravel at once. The army must be called out. Narnia must go to the aid of King Lune.”

“Ah!” said the Hedgehog. “But you won’t find the High King at the Cair. He’s away to the North trouncing those giants. And talking of giants, neighbours, that puts me in mind -” 

“Who’ll take our message?” interrupted the Dwarf. “Anyone here got more speed than me?”

“I’ve got speed,” said the Stag. “What’s my message? How many Calormenes?”

“Two hundred: under Prince Rabadash. And -” But the Stag was already away – all four legs off the ground at once, and in a moment its white stern had disappeared among the remoter trees. - from Chapter 12, “Shasta in Narnia,” The Horse and His Boy

From this quote, being practical means doing what must be done. Upon learning of the coming army of Prince Rabadash, the other creatures didn’t exactly jump into action, but dawdled around chatting about it. Only Duffle, who took control of the situation, and the stag, who rushed to inform the High King, did their part in averting the danger.

SUSAN

“That’s the trouble of it,” said Trumpkin, “when most of the beasts have gone enemy and gone dumb, but there are still some of the other kind left. You never know, and you daren’t wait to see.” …

Lucy shuddered and nodded. When they had sat down she said: “Such a horrible idea has come into my head, Su.”  

“What’s that?”

“Wouldn’t it be dreadful if some day, in our own world, at home, men started going wild inside, like the animals here, and still looked like men, so that you’d never know which were which?”

 ”We’ve got enough to bother about here and now in Narnia,” said the practical Susan, “without imagining things like that.” – from Chapter 9, “What Lucy Saw,” Prince Caspian

From this quote, being practical means focusing on the problem on hand. Susan didn’t want to worry about ”imaginary” things – she only wanted to deal with those that are ”here and now.” Perhaps that became her problem later on – when she got back to England, she only wanted to deal with the “here and now” and convinced herself that Narnia was only imaginary.

EUSTACE

“Why is it called Aslan’s table?” asked Lucy presently.

“It is set here by his bidding,” said the girl, “for those who come so far. Some call this island the World’s End, for though you can sail further, this is the beginning of the end.”

“But how does the food keep?” asked the practical Eustace.

“It is eaten, and renewed every day,” said the girl. “This you will see.” – from Chapter 13, “The Three Sleepers,” The Voyage of the Dawn Treader

From this quote, being practical means asking questions about things that don’t seem to add up logically. Eustace never lost this trait until The Last Battle, which adds charm to his character.

There is a positive and a negative side to being practical. As long as we make sure we’re not like Jadis, Uncle Andrew or Arsheesh, then being practical should be okay.

DOUBLE LUCY QUOTES 19 August 2008

Posted by Renette in 2 The Lion the Witch and the Wardrobe, 5 The Voyage of the Dawn Treader, Sons of Adam and Daughters of Eve.
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I was listening to the audiobook of The Lion, the Witch and the Wardrobe today, and noticed that Lucy had two double quotes in LWW – meaning, she said a word twice (I didn’t count quotes like “Aslan, Aslan”). I also remember one double quote in The Voyage of the Dawn Treader, and since I have nothing better to do, I’m posting them here.

“I don’t care what you think, and I don’t care what you say. You can tell the Professor or you can write to Mother or you can do anything you like. I know I’ve met a Faun in there and – I wish I’d stayed there and you are all beasts, beasts.” (LWW, Chapter 5)

“Oh, how can they?” said Lucy, tears streaming down her cheeks. “The brutes, the brutes!” for now that the first shock was over the shorn face of Aslan looked to her braver, and more beautiful, and more patient than ever. (LWW, Chapter 14)

“Oh, the funnies, the funnies,” cried Lucy, bursting into laughter. “Did you make them like that?” (VDT, Chapter 11)

I have no idea if there are any more double quotes from Lucy, but I’ll be on the lookout from now on. In case you come across one, please let me know so that I can add it to my list.

THE LAMB IN THE LAST BATTLE 16 August 2008

Posted by Renette in 7 The Last Battle, By Terb's Friends, Talking Beasts.
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In The Last Battle, there is an important scene in Chapter 3 where the animals were gathered at the stable. They have just heard the frightening news from Shift (the Ape) who told them that “Aslan” had sold all the Talking Beasts of Narnia to slavery. Of course, if you know the entire story, the pretend “Aslan” was actually a stupid donkey named Puzzle dressed up in lion’s skin, but it was effective in cowing the animals to obedience.

“And now here’s another thing,” the Ape went on, fitting a fresh nut into its cheek, “I hear some of the horses are saying, Let’s hurry up and get this job of carting timber over as quickly as we can, and then we’ll be free again. Well, you can get that idea out of your heads at once. And not only the Horses either. Everybody who can work is going to be made to work in future. Aslan has it all settled with the King of Calormen – The Tisroc, as our dark faced friends the Calormenes call him. All you Horses and Bulls and Donkeys are to be sent down into Calormen to work for your living – pulling and carrying the way horses and such-like do in other countries. And all you digging animals like Moles and Rabbits and Dwarfs are going down to work in The Tisroc’s mines. And -”

“No, no, no,” howled the Beasts. “It can’t be true. Aslan would never sell us into slavery to the King of Calormen.”

“None of that! Hold your noise!” said the Ape with a snarl. “Who said anything about slavery? You won’t be slaves. You’ll be paid – very good wages too. That is to say, your pay will be paid into Aslan’s treasury and he will use it all for everybody’s good.” Then he glanced, and almost winked, at the chief Calormene. The Calormene bowed and replied, in the pompous Calormene way:

“Most sapient Mouthpiece of Aslan, The Tisroc (may he-live-forever) is wholly of one mind with your lordship in this judicious plan.”

“There! You see!” said the Ape. “It’s all arranged. And all for your own good. We’ll be able, with the money you earn, to make Narnia a country worth living in. There’ll be oranges and bananas pouring in – and roads and big cities and schools and offices and whips and muzzles and saddles and cages and kennels and prisons – Oh, everything.”

“But we don’t want all those things,” said an old Bear. “We want to be free. And we want to hear Aslan speak himself.”

“Now don’t you start arguing,” said the Ape, “for it’s a thing I won’t stand. I’m a Man: you’re only a fat, stupid old Bear. What do you know about freedom? You think freedom means doing what you like. Well, you’re wrong. That isn’t true freedom. True freedom means doing what I tell you.”

“H-n-n-h,” grunted the Bear and scratched its head; it found this sort of thing hard to understand.

“Please, please,” said the high voice of a woolly lamb, who was so young that everyone was surprised he dared to speak at all.

“What is it now?” said the Ape. “Be quick.”

“Please,” said the Lamb, “I can’t understand. What have we to do with the Calormenes? We belong to Aslan. They belong to Tash. They have a god called Tash. They say he has four arms and the head of a vulture. They kill Men on his altar. I don’t believe there’s any such person as Tash. But if there was, how could Aslan be friends with him?”

All the animals cocked their heads sideways and all their bright eyes flashed towards the Ape. They knew it was the best question anyone had asked yet. 

The Ape jumped up and spat at the Lamb.

Knowing that Aslan had appeared once before in The Chronicles of Narnia as a lamb (towards the end of The Voyage of the Dawn Treader), it is quite possible that this Lamb was also Aslan in another form. Siberian Christmas, a friend I met from The Lion’s Call forum, wrote a very beautiful poem about the Lamb which I’m posting here with her permission:

The Lamb Who Spoke the Truth
by Siberian Christmas

Where did you go, you precious?
What happened to you?
Did they hurt you?
When you spoke, oh! I felt your words touch us!

I lie here, dreaming in my bed
Of your innocence,
Of your courage,
And the truth that with valiant words you said.

Where did you come from, darling?
Did Aslan send you here?
Did he whisper his words to you?
Maybe I’ll know in the morning…

Lamb, little Lamb, I know now.
I dreamt of you.
I saw you.
You were laid out as a Lion on Aslan’s How.

LIKE EDMUND 14 August 2008

Posted by Renette in 2 The Lion the Witch and the Wardrobe, Sons of Adam and Daughters of Eve.
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Among the four Pevensies, I’ve always liked Edmund the most because it is very easy to relate to his story. He started out rough, but was changed forever after Aslan saved his life and showed him mercy. While listening to the Harper-Collins audiobook of The Lion, the Witch and the Wardrobe this morning, I noticed three things about Edmund’s experience that rings true for most of us. These quotes are from Chapter 9, “In the Witch’s House.”

He had eaten his share of the dinner, but he hadn’t really enjoyed it because he was thinking all the time about Turkish Delight – and there’s nothing that spoils the taste of good ordinary food half so much as the memory of bad magic food.

How often do we not enjoy doing the right things like going to church or reading the Bible simply because we are doing something wrong? How often do we have the “vague, though uneasy, feeling that [we haven't] been doing very well lately” (quote from The Screwtape Letters by C S Lewis) that actually leads us to avoid any mention of God?

As for what the Witch would do with the others, he didn’t want her to be particularly nice to them – certainly not to put them on the same level as himself; but he managed to believe, or to pretend he believed, that she wouldn’t do anything very bad to them, “Because,” he said to himself, “all these people who say nasty things about her are her enemies and probably half of it isn’t true. She was jolly nice to me, anyway, much nicer than they are. I expect she is the rightful Queen really. Anyway, she’ll be better than that awful Aslan!” At least, that was the excuse he made in his own mind for what he was doing. It wasn’t a very good excuse, however, for deep down inside him he really knew that the White Witch was bad and cruel.

How often do we rationalize, thinking up of reasons to justify or excuse ourselves, when we know deep down that what we’re doing is wrong? This is because God has given everyone a conscience, and speaks to us in a still, small voice. However, if we don’t feed our conscience with the Word of God and continuously bombard our senses with things that are not good for us, our conscience can be dulled and de-sensitized in time.

“Even as it was, he got wet through for he had to stoop under branches and great loads of snow came sliding off on to his back. And every time this happened he thought more and more how he hated Peter – just as if all this had been Peter’s fault.”

How often do we blame someone else for everything that’s happening to our life, even if we know deep down that it is really nobody’s fault? We just need someone to fix the blame on to make us feel better about ourselves.

These quotes only show how much like Edmund we all can be. We’re also like him in another respect – we are all sinners who deserve to die. Thank goodness there’s One who died for us.

A KNIGHT’S TALE FROM ARCHENLAND 30 July 2008

Posted by Renette in 3 The Horse and His Boy, By Terb, Sons of Adam and Daughters of Eve.
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Here is my story, said a knight with a snort,
About what once happened in King Lune’s court.
From out of the blue came two hundred horses -
It was that silly Prince Rabadash’s forces.

But we knew of this Calormene threat beforehand,
We were ready to fight for our dear Archenland.
We had help from our Narnian friends in the battle;
T’was over quickly. And when the dust settled,

A laughter arose – oh what could it be?
The Prince Rabadash, as neat as could be
Got caught in a hook! And now he was screaming
In anger and spite, with his lanky arms flailing.

They took him down, and pondered his fate.
They wanted to free him, but that reprobate
Still shouted at them, full of malice and fury -
Till the Lion showed up and made him a donkey.

DISCLAIMER: This is my first feeble attempt at Narnian poetry, and I wrote this while driving to the office this morning. I guess sometimes traffic is a good thing.

WHEN THE LION TELLS YOU TO DRINK 28 July 2008

Posted by Renette in 6 The Silver Chair, Sons of Adam and Daughters of Eve.
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“If I run away, it’ll be after me in a moment,” thought Jill. “And if I go on, I shall run straight into its mouth.” Anyway, she couldn’t have moved if she had tried, and she couldn’t take her eyes off it. How long this lasted, she could not be sure; it seemed like hours. And the thirst became so bad that she almost felt she would not mind being eaten by the lion if only she could be sure of getting a mouthful of water first.

“If you’re thirsty, you may drink.”

They were the first words she had heard since Scrubb had spoken to her on the edge of the cliff. For a second she stared here and there, wondering who had spoken. Then the voice said again, “If you are thirsty, come and drink,” and of course she remembered what Scrubb had said about animals talking in that other world, and realized that it was the lion speaking. Anyway, she had seen its lips move this time, and the voice was not like a man’s. It was deeper, wilder, and stronger; a sort of heavy, golden voice. It did not make her any less frightened than she had been before, but it made her frightened in rather a different way.

“Are you not thirsty?” said the Lion.

“I’m dying of thirst,” said Jill.

“Then drink,” said the Lion.

I mentioned before that THE SILVER CHAIR is my favorite book in The Chronicles of Narnia, not only because of the character of Puddleglum, but also because of its theme of obedience and faith. It also contains a lot of passages which can be interpreted in the light of Scriptures, such as the excerpt I quoted above, which is from Chapter 2, “Jill Is Given a Task.”

In the story, Jill and Eustace had just stumbled into Aslan’s Country, a rich forest where “huge trees, rather like cedars but bigger, grew in every direction” and where there was “not a breath of wind in that cool, bright air.” While Eustace was trying to keep Jill from falling off a very high cliff, he lost his balance and fell himself, only to be saved by the Great Lion, Aslan, who blew him all the way to Narnia.

After crying a lot by herself in horror of what happened (the Lion had left her after blowing Eustace off), Jill started feeling very thirsty. She looked around and finally saw a stream, which was “bright as glass,” instantly making her feel even thirstier than before. Before she could stoop for a drink though, she noticed the figure of the Lion lying by the stream.

While she was debating to herself whether to run or drink, the Lion spoke. “If you’re thirsty, you may drink.” He is obviously giving her permission to approach and drink from the stream.

While Jill was still standing, uncertain of what to do and unsure of who said the words, the Lion spoke again. “If you are thirsty, come and drink.” This is now more than giving permission, he is actually giving her an invitation to drink and quench her thirst.

Jill finally realized that it was the Lion who was speaking to her, and it frightened her. “Are you not thirsty?” the Lion asked her. After replying in the affirmative, he said, “Then drink.” This is not only an invitation, but an outright instruction or directive to approach Him and drink from the stream.

But what is it about the water that is so important that he not only needed to permit Jill to drink it, but he had to invite and even order her to do so when she hesitated?

Aslan knew that the water will quench Jill’s thirst. He understood how thirsty Jill was, and knew that she needed a drink of water to clear her head and prepare her for the task he was about to give her.

In the same way, Jesus understands our thirst – be it physical (like thirst for water), mental (like thirst for knowledge) or emotional (like thirst for love). In His own time and in His own way, He provides the things that would quench this thirst.

But there’s one more thirst that we all have, and which Jesus alone can meet. It’s our inherent thirst for God. As it says in Psalm 42:1-2: “As the deer longs for streams of water, so I long for you, O God. I thirst for God, the living God.” But how do we quench this thirst?

There was one interesting occasion when Jesus offered water to someone too. In John 4, He told the Samaritan woman, “… those who drink the water I give will never be thirsty again. It becomes a fresh, bubbling spring within them, giving them eternal life.” The water He is referring to, the Living Water, is Himself. And He permits, invites and instructs all of us to quench our thirst for God through Him.

And when the Lion – or Jesus, the Lion of Judah – tells you to drink, the best thing you can do is to do as Jill did. “She went forward to the stream, knelt down, and began scooping up water in her hand. It was the coldest, most refreshing water she had ever tasted.”

THE GIANTS OF NARNIA 3 July 2008

Posted by Renette in 2 The Lion the Witch and the Wardrobe, 4 Prince Caspian, Other Creatures.
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NARNIA is a land of creatures most of us have never heard of like dryads (the spirits of the trees) and naiads (the gods and goddesses of the river). Then there are the creatures that are more familiar to us, appearing in more popular fairy tales and fantasy stories, like dwarves and giants. But the Narnian giants are unlike the giants from our fairy tales (who sometimes say “fee-fie-fo-fum”), and they are unlike the giants from the surrounding areas of Narnia as well – such as the stupid giants of Ettinsmoor who play cockshies (a stone throwing contest) nearly everyday, and the “gentle” giants of Harfang, whose idea of being gentle turned out to be eating man-pies.

From the seven books of THE CHRONICLES OF NARNIA, we have two examples of Narnian giants (those that live in the land of Narnia itself), namely GIANT RUMBLEBUFFIN and GIANT WIMBLEWEATHER.

We first meet Giant Rumblebuffin in the White Witch’s courtyard in THE LION, THE WITCH AND THE WARDROBE. Of course, he was still a stone giant at that time, until Aslan breathed on his feet and revived him. Although it took some time before he could understand what happened, he courteously thanked the Lion and then joined in the Battle of Beruna, where Aslan defeated the White Witch and later crowned the four Pevensies kings and queens of Narnia.

Giant Wimbleweather was also involved in another battle (which happened hundreds of years after the Battle of Beruna) in PRINCE CASPIAN. We first meet him arriving at the Dancing Lawn with the centaurs, “carrying on his back a basketful of rather sea-sick dwarfs who had accepted his offer of a lift and were now wishing they had walked instead.” He was unfortunately not very smart and made a critical error during the battle, much to everyone’s dismay.

From these two examples, we see that giants are very polite and thoughtful creatures. When Giant Rumblebuffin finally realized how Aslan has saved him from his stony state, he “bowed down till his head was no further off than the top of a haystack and touched his cap repeatedly to Aslan.” When Aslan asked his name, he respectfully replied, “Giant Rumblebuffin, if it please your honour.” When Aslan requested him to destroy the gate, he immediately obeyed the Lion’s request and remembered to warn the creatures nearby to get out of the way. When Lucy noticed that her “handkerchee” wasn’t helping him much given how small it was for the giant’s huge face, he hastened to assure her that it wasn’t useless. “Not at all. Not at all,” he said politely. “Never met a nicer handkerchee. So fine, so handy. So – I don’t know how to describe it.”

Giant Wimbleweather, although he didn’t have any lines in PRINCE CASPIAN, was also a kind, well-mannered creature. As previously mentioned, he offered a lift to the dwarfs on the way to the council, no doubt intending to save them from the fatigue of a long journey. That didn’t turn out quite so well, as we know, since the dwarfs got “sea-sick” from riding on his back. When he made the crucial mistake during the battle, he didn’t vent out his shame and gloom in anger, as you would expect from someone so big, but in sorrow and tears. Again, this did not turn out quite so well, as he unintentionally gave some sleepy mice a shower from the giant tears falling down his face. After being told off by the mice, the giant chose to tiptoe away instead of lashing out. This is a behavior you wouldn’t normally expect from someone who we can assume is the biggest and probably the most powerful in an army.

In life, we have our “gentle giants” as well – those who, despite their size, or influence, or position, are still kind-hearted, and polite, and a pleasure to be with. I’m sure we’ll see them in Aslan’s country in the afterlife.

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Excerpts on RUMBLEBUFFIN (from The Lion, the Witch and the Wardrobe)

“Oh!” said Susan in a different tone. “Look! I wonder – I mean, is it safe?”

Lucy looked and saw that Aslan had just breathed on the feet of the stone giant.

“It’s all right!” shouted Aslan joyously. “Once the feet are put right, all the rest of him will follow.”

“That wasn’t exactly what I meant,” whispered Susan to Lucy. But it was too late to do anything about it now even if Aslan would have listened to her. The change was already creeping up the Giant’s legs. Now he was moving his feet. A moment later he lifted his club off his shoulder, rubbed his eyes and said, “Bless me! I must have been asleep. Now! Where’s that dratted little Witch that was running about on the ground. Somewhere just by my feet it was.” But when everyone had shouted up to him to explain what had really happened, and when the Giant had put his hand to his ear and got them to repeat it all again so that at last he understood, then he bowed down till his head was no further off than the top of a haystack and touched his cap repeatedly to Aslan, beaming all over his honest ugly face. (Giants of any sort are now so rare in England and so few giants are good-tempered that ten to one you have never seen a giant when his face is beaming. It’s a sight well worth looking at.)

“Now for the inside of this house!” said Aslan. “Look alive, everyone. Up stairs and down stairs and in my lady’s chamber! Leave no corner unsearched. You never know where some poor prisoner may be concealed.”

And into the interior they all rushed and for several minutes the whole of that dark, horrible, fusty old castle echoed with the opening of windows and with everyone’s voices crying out at once, “Don’t forget the dungeons – Give us a hand with this door! Here’s another little winding stair – Oh! I say. Here’s a poor kangaroo. Call Aslan – Phew! How it smells in here – Look out for trap-doors – Up here! There are a whole lot more on the landing!” But the best of all was when Lucy came rushing upstairs shouting out, “Aslan! Aslan! I’ve found Mr. Tumnus. Oh, do come quick.”

A moment later Lucy and the little Faun were holding each other by both hands and dancing round and round for joy. The little chap was none the worse for having been a statue and was of course very interested in all she had to tell him.

But at last the ransacking of the Witch’s fortress was ended. The whole castle stood empty with every door and window open and the light and the sweet spring air flooding into all the dark and evil places which needed them so badly. The whole crowd of liberated statues surged back into the courtyard. And it was then that someone (Tumnus, I think) first said, “But how are we going to get out?” for Aslan had got in by a jump and the gates were still locked.

“That’ll be all right,” said Aslan; and then, rising on his hind-legs, he bawled up at the Giant. “Hi! You up there,” he roared. “What’s your name?”

“Giant Rumblebuffin, if it please your honour,” said the Giant, once more touching his cap.

“Well then, Giant Rumblebuffin,” said Aslan, “just let us out of this, will you?”

“Certainly, your honour. It will be a pleasure,” said Giant Rumblebuffin. “Stand well away from the gates, all you little ‘uns.” Then he strode to the gate himself and bang – bang – bang – went his huge club. The gates creaked at the first blow, cracked at the second, and shivered at the third. Then he tackled the towers on each side of them and after a few minutes of crashing and thudding both the towers and a good bit of the wall on each side went thundering down in a mass of hopeless rubble; and when the dust cleared it was odd, standing in that dry, grim, stony yard, to see through the gap all the grass and waving trees and sparkling streams of the forest, and the blue hills beyond that and beyond them the sky.

“Blowed if I ain’t all in a muck sweat,” said the Giant, puffing like the largest railway engine. “Comes of being out of condition. I suppose neither of you young ladies has such a thing as a pocket-handkerchee about you?”

“Yes, I have,” said Lucy, standing on tip-toes and holding her handkerchief up as far as she could reach.

“Thank you, Missie,” said Giant Rumblebuffin, stooping down. Next moment Lucy got rather a fright for she found herself caught up in mid-air between the Giant’s finger and thumb. But just as she was getting near his face he suddenly started and then put her gently back on the ground muttering, “Bless me! I’ve picked up the little girl instead. I beg your pardon, Missie, I thought you was the handkerchee!”

“No, no,” said Lucy laughing, “here it is!” This time he managed to get it but it was only about the same size to him that a saccharine tablet would be to you, so that when she saw him solemnly rubbing it to and fro across his great red face, she said, “I’m afraid it’s not much use to you, Mr. Rumblebuffin.”

“Not at all. Not at all,” said the giant politely. “Never met a nicer handkerchee. So fine, so handy. So – I don’t know how to describe it.”

“What a nice giant he is!” said Lucy to Mr. Tumnus.

“Oh yes,” replied the Faun. “All the Buffins always were. One of the most respected of all the giant families in Narnia. Not very clever, perhaps (I never knew a giant that was), but an old family. With traditions, you know. If he’d been the other sort she’d never have turned him into stone.”

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Excerpts on WIMBLEWEATHER (from Prince Caspian)

At last there came a night when everything had gone as badly as possible, and the rain which had been falling heavily all day had ceased at nightfall only to give place to raw cold. That morning Caspian had arranged what was his biggest battle yet, and all had hung their hopes on it. He, with most of the Dwarfs, was to have fallen on the King’s right wing at daybreak, and then, when they were heavily engaged, Giant Wimbleweather, with the Centaurs and some of the fiercest beasts, was to have broken out from another place and endeavoured to cut the King’s right off from the rest of the army. But it had all failed. No one had warned Caspian (because no one in these later days of Narnia remembered) that Giants are not at all clever. Poor Wimbleweather, though as brave as a lion, was a true Giant in that respect. He had broken out at the wrong time and from the wrong place, and both his party and Caspian’s had suffered badly and done the enemy little harm. The best of the Bears had been hurt, a Centaur terribly wounded, and there were few in Caspian’s party who had not lost blood. It was a gloomy company that huddled under the dripping trees to eat their scanty supper.

The gloomiest of all was Giant Wimbleweather. He knew it was all his fault. He sat in silence shedding big tears which collected on the end of his nose and then fell off with a huge splash on the whole bivouac of the Mice, who had just been beginning to get warm and drowsy. They all jumped up, shaking the water out of their ears and wringing their little blankets, and asked the Giant in shrill but forcible voices whether he thought they weren’t wet enough without this sort of thing. And then other people woke up and told the Mice they had been enrolled as scouts and not as a concert party, and asked why they couldn’t keep quiet. And Wimbleweather tiptoed away to find some place where he could be miserable in peace and stepped on somebody’s tail and somebody (they said afterwards it was a fox) bit him. And so everyone was out of temper.

WHAT IT TAKES TO BE A KING 20 June 2008

Posted by Renette in 1 The Magician's Nephew, 3 The Horse and His Boy, Sons of Adam and Daughters of Eve.
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Obviously, not everyone is of a royal line, but if you think about it, we can all act like kings (or queens). And I don’t mean that we should act like royal pains in the neck. What I mean is that we can always act with the nobility of character that is expected from royalty.

So what does it take to be a king? Here is an excerpt from chapter 11 of THE MAGICIAN’S NEPHEW, which is the first in the chronicles of Narnia series. Aslan is talking to a kind-hearted London cabby named frank, who will soon become the first king of Narnia. During this conversation, he will give a kind of checklist on the qualities that a king should have.

“My children,” said Aslan, fixing his eyes on both of them, “you are to be the first king and queen of Narnia.”

The cabby opened his mouth in astonishment, and his wife turned very red.

“You shall rule and name all these creatures, and do justice among them, and protect them from their enemies when enemies arise. And enemies will arise, for there is an evil witch in this world.”

The cabby swallowed hard two or three times and cleared his throat.

“Begging your pardon, sir,” he said, “and thanking you very much I’m sure (which my missus does the same) but I ain’t no sort of a chap for a job like that. I never ‘ad much eddycation, you see.”

“Well,” said Aslan, “Can you use a spade and a plough and raise food out of the earth?”

“Yes, sir, I could do a bit of that sort of work: being brought up to it, like.”

“Can you rule these creatures kindly and fairly, remembering that they are not slaves like the dumb beasts of the world you were born in, but talking beasts and free subjects?”

“I see that, sir,” replied the cabby. “I’d try to do the square thing by them all.”

“And would you bring up your children and grandchildren to do the same?”

“It’d be up to me to try, sir. I’d do my best: wouldn’t we, Nellie?”

“And you wouldn’t have favourites either among your own children or among the other creatures or let any hold another under or use it hardly?”

“I never could abide such goings on, sir, and that’s the truth. I’d give ‘em what for if I caught ‘em at it,” said the cabby. (All through this conversation his voice was growing slower and richer. more like the country voice he must have had as a boy and less like the sharp, quick voice of a cockney.)

“And if enemies came against the land (for enemies will arise) and there was war, would you be the first in the charge and the last in the retreat?”

“Well, sir,” said the cabby very slowly, “a chap don’t exactly know till he’s been tried. I dare say I might turn out ever such a soft ‘un. Never did no fighting except with my fists. I’d try – that is, I ‘ope I’d try – to do my bit.”

“Then,” said Aslan, “you will have done all that a king should do.”

I really love the idea that a king must be the “first in the charge and the last in the retreat.” a somewhat similar theme is discussed in chapter 15, THE HORSE AND HIS BOY, when Shasta, a boy who was kidnapped in his infancy and raised in the distant Calormen, found out that he was the son of the king and the rightful heir to the throne of Archenland, much to the delight of his flighty twin brother, who was younger than him.

“Hurrah! Hurrah!” said Corin. “I shan’t have to be king. I shan’t have to be king. I’ll always be a prince. It’s princes have all the fun.”

“And that’s truer than thy brother knows, Cor,” said King Lune. “For this is what it means to be a king: to be first in every desperate attack and last in every desperate retreat, and when there’s hunger in the land (as must be now and then in bad years) to wear finer clothes and laugh louder over a scantier meal than any man in your land.”

I guess being a king is harder than everyone thought it would be.